“We are extremely excited to announce the highly anticipated follow-up to our EOS 5D Mark II, a camera which has been called a ‘game-changer’ in most professional photography and videography circles. The EOS 5D Mark III will carry on that tradition, delivering better and more advanced features, helping our customers achieve excellent image quality for stills and video,” stated Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies and Communications Group, Canon U.S.A.

The EOS 5D Mark III inherits many features from Canon’s recently announced flagship DSLR, the EOS-1D X, including a DIGIC 5+ Imaging Processor and a high-performance 61-point High Density Reticular AF array with up to 41 cross-type points and five dual cross-type points available, depending on the lens in use. The enhanced processing power enables fast continuous shooting of up to six fps, exceeding the speed of the EOS 5D Mark II model by more than 50 percent, and with improved weather resistance the EOS 5D Mark III is a serious option for sports and wildlife photographers.

EOS 5D Mark III Video: The Legacy Continues

The EOS 5D Mark II blazed the trail for EOS cameras and Canon to enter the professional video and cinema markets, paving the way for Canon’s recent introduction of the Cinema EOS system of cameras and lenses. Now, the EOS 5D Mark III continues Canon’s commitment to these new markets with new and requested features from cinematographers, television production professionals and independent filmmakers. This new model captures 1080p Full HD video at 24p (23.976), 25p, and 30p (29.97) fps; 720p HD recording at 60 (59.94) and 50 fps; and SD recording at 30 (29.97) and 25 fps, giving cinematographers and videographers more flexibility and options for video capture.

The EOS 5D Mark III includes new H.264 video compression formats to simplify and speed up post-production work: intraframe (ALL-I) compression for an editing-friendly format and interframe (IPB) compression for superior data storage efficiency, giving professionals options to help achieve their ideal workflow. Like the EOS-1D X, the 5D Mark III also includes two methods of SMPTE-compliant timecode embedding, Rec Run and Free Run, allowing video footage from multiple cameras and separate audio recordings to be synced together in post production.

The new full-frame CMOS sensor and DIGIC 5+ processor have enhanced the camera’s image processing performance over the 5D Mark II, significantly reducing moir‚ and color artifacts in scenes with horizontal lines. The video footage produced will exhibit less moir‚ than seen in previous DSLR models, resulting in a significant improvement in HD video quality. Accommodating documentary filmmakers, and event videographers using EOS DSLR cameras, the 5D Mark III includes the ability to record video continuously up to 29 minutes and 59 seconds across multiple 4GB files. Long-form filmmakers will enjoy the camera’s automatic file splitting in combination with the extended memory capacity offered by dual card slots.

The Canon EOS 5D Mark III also includes manual audio level control with 64 levels, adjustable both before and during movie recording. There is also an automatic audio level setting, or sound recording can be turned off entirely. A wind filter is also included. Sound can be recorded either through the internal monaural microphone or via an optional external microphone through the stereo mic input. Notably, the EOS 5D Mark III is the first EOS Digital SLR to feature a built-in headphone jack for real-time audio monitoring during video capture.

Newly Developed Canon CMOS Sensor

With its completely new 22.3-megapixel full-frame Canon CMOS image sensor, the EOS 5D Mark III becomes the highest resolution Canon Digital SLR released to date. It is eminently suitable for a wide variety of assignments including weddings and portraits, nature and wildlife, travel and landscapes as well as commercial and industrial photography. With a gapless microlens design, a new photodiode structure and improved on-chip noise reduction, the new sensor achieves higher sensitivity and lower noise levels for both RAW image data as well as in-camera JPEGs and EOS Movies compared to the 5D Mark II. The result is outstanding image quality in all shooting conditions, even low light. An eight-channel readout doubles the speed of image data throughput from the sensor to the DIGIC 5+ processor, resulting in better video image quality as well as six fps for still photos.

The low-light capability of the EOS 5D Mark III is evident in its incredible ISO range and image quality in poor lighting conditions. Adjustable from ISO 100 to 25,600 within its standard range, the new model also offers a low ISO 50 setting for studio and landscape photography and two extended ISO settings of 51,200 and 102,400, well suited for law enforcement, government or forensic field applications.

The new 5D Mark III is also equipped with Canon’s EOS Integrated Cleaning System, featuring a Self Cleaning Sensor Unit with a fluorine coating that repels dust and dirt particles.

Canon-Exclusive DIGIC 5+ Imaging Processor

The EOS 5D Mark III’s new DIGIC 5+ Imaging Processor is 17 times faster than the DIGIC 4.The EOS 5D Mark III uses that extra speed not only for improved image quality, but also to add no less than nine new features that do not exist on the 5D Mark II. These new features include six fps continuous shooting, HDR and Multiple Exposure modes, in-camera RAW processing, a comparative playback function, Scene Intelligent Auto mode, two forms of movie compression, and support for high-speed UDMA 7 Compact Flash memory cards.

Another extremely valuable feature enhanced by the DIGIC 5+ Imaging Processor is the EOS 5D Mark III’s choice of reduced resolution M-RAW (10.5 megapixel) and S-RAW (5.5 megapixel) recording modes. These settings are particularly useful to wedding photographers for candid photos that do not require the EOS 5D Mark III’s 22 megapixel full resolution, because they take up less space on the memory cards and speed up post-processing without losing the critical benefits of RAW image data, such as highlight and shadow control as well as white balance adjustment. M-RAW and S-RAW also preserve the full field of view rather than cropping the image or resorting to JPEG mode to reduce resolution.

High-Performance 61-Point High Density Reticular AF

For still photographers, Canon has included its new 61-point High Density Reticular AF System, originally introduced with the top-of-the-line EOS-1D X professional camera. A significant advancement over previous 5D-series AF systems, the new 61-Point High Density Reticular AF included in the EOS 5D Mark III is the most sophisticated SLR AF system Canon has ever released. All 61 points are manually selectable and sensitive to horizontal contrast with maximum apertures larger than or equal to f/5.6. The camera’s twenty one focusing points in the central area are also standard precision cross-type and effective with maximum apertures larger than or equal to f/5.6. The center five points are ultra-high-precision diagonal cross-type points for maximum apertures larger than or equal to f/2.8. The 20 outer focusing points function as high-precision cross-type points with maximum apertures larger than or equal to f/4.0. Other innovations of the new 61-point High Density Reticular AF include expanded AF coverage area, superior focusing precision and low-light sensitivity to EV -2, and greater low-contrast subject detection capability compared to earlier EOS AF systems. (See image below for AF point configuration)
High-Performance 61-Point High Density Reticular AF

All AF functions now have their own menu tab for quick and easy access (formerly AF custom functions in previous EOS models). A new AF Configuration Tool allows for customized setting of tracking sensitivity, the acceleration and deceleration of tracking subjects, and AF point auto switching, all of which are easily accessed and adjusted via the new AF menu tab. A built-in Feature Guide advises photographers on which settings to use according to subject matter.

The EOS 5D Mark III uses the same high-performance AI Servo III AF tracking algorithm as the flagship EOS-1D X professional DSLR. This new feature works together with the 61-point High Density Reticular AF system to provide superb tracking performance that blends very well with the new camera’s 6 frames-per-second high-speed continuous shooting capabilities.

Similar to the AF point selection options offered in the EOS 7D and EOS-1D X camera models, the EOS 5D Mark III offers six AF point selection modes: Spot, Single Point, Single Point with surrounding four points, Single Point with surrounding eight points, Zone selection and Automatic AF point selection.

iFCL Metering

Complementing the EOS 5D Mark III camera’s 61-point AF system is Canon’s 63-zone iFCL dual layer metering system. The ‘FCL’ stands for ‘Focus, Color and Luminance,’ and references the fact that the metering system not only measures color and luminance data, but also analyzes the data provided by each point of the AF system. Canon’s iFCL metering keeps exposure levels stable from shot to shot, even as the light source changes. The camera’s autofocus information is also used to help determine which area of the scene is of greatest importance in determining exposure.

HDR Mode

The EOS 5D Mark III camera features a built-in HDR mode, merging three images at various exposure levels into a single image, in-camera, for stunning photographs of landscapes and architecture with enhanced tonal gradation beyond the range of the naked eye. The exposure levels in the camera’s HDR mode can be set to cover a range of up to ñ3 stops, in a choice of five settings: Natural, Art Standard, Art Vivid, Art Bold and Art Embossed providing unique visual effects. Individual source images can be saved as separate files, and the HDR mode has an optional automatic alignment function that can be useful for hand-held shooting. The EOS 5D Mark III’s standard Auto Exposure Bracketing function has been upgraded to allow for up to seven exposures per sequence, and exposure compensation can now be set for up to +/- 5EV.

Multiple Exposure Mode

The EOS 5D Mark III is the second EOS Digital SLR after the EOS-1D X to feature Multiple Exposure capabilities with the ability to combine up to nine individual images into a single composite image, with no need for post-processing in a computer. Four different compositing methods are provided for maximum creative control, including Additive, Average, Bright and Dark. Compositing results can be viewed in real time on the camera’s LCD monitor, and there is a one-step Undo command that allows photographers to delete an image and try again if desired. The EOS 5D Mark III camera’s Multiple Exposure mode even allows photographers to specify a previously captured RAW image as the starting point for a new Multiple Exposure composite image, or shoot continuously when photographing moving subjects.

Comparative Playback

A new feature seen for the first time in the EOS System on the 5D Mark III is Comparative Playback allowing photographers to display two images side by side on the camera’s 3.2-inch LCD screen. The images can be displayed with a histogram to check exposure levels, or magnified to check for focus or facial expressions.

Durability, Reliability and Other Features

The EOS 5D Mark III features a rugged camera body with magnesium alloy body covers and a stainless steel lens mount. The new camera also has dust- and moisture-resistant design with improved gaskets and seals. Although not quite as weatherproof as an EOS-1D-series camera, the EOS 5D Mark III does feature improved weather resistance over the EOS 5D Mark II model. The EOS 5D Mark III’s newly developed shutter unit has a durability rating of 150,000 exposures, and shutter release lag time has been reduced to 59 milliseconds, making the shutter button very responsive. Canon’s locking mode dial is standard on the new model and a new custom function allows photographers to shut off other dials to prevent inadvertent operation.

The EOS 5D Mark III uses the same LP-E6 lithium-ion battery pack as other popular EOS cameras like the 5D Mark II, 7D and 60D. Battery life is estimated at 950 exposures at normal temperatures, an improvement of 100 exposures more than the EOS 5D Mark II. The EOS 5D Mark III body weighs approximately 33.5 oz. with a battery installed, and the dimensions are approximately 6.0 x 4.6 x 3.0 inches.

The EOS 5D Mark III incorporates Silent shooting modes, available for low-speed continuous shooting as well as single exposures. This feature is ideal when photographing in quiet environments. For better file management especially when working with multiple cameras, the new model also supports custom file names. There is also a new image rating feature that lets photographers rank their photos from 1 to 5 stars for quick editing.

The EOS 5D Mark III features a 3.2-inch Clear View II LCD screen with 1,040,000 dot resolution. This is the same screen that’s used in the top-of-the-line EOS-1D X. The camera’s optical viewfinder has been upgraded to approximately 100 percent coverage, and it features an Intelligent Viewfinder display with an optional grid on demand. The EOS 5D Mark III also has a built-in Dual Axis Electronic Level that can be displayed on both the LCD screen and the optical viewfinder.

The EOS 5D Mark III accepts both Compact Flash Type 1 and SD/SDHC/SDXC memory cards in a dual card slot configuration. Three recording methods are supported: Record the same data to both cards, record different file sizes or types to each card, or automatically switch to the second card when the first card is full.

Accessories

The EOS 5D Mark III DSLR also has a number of new optional accessories, including the new Canon Wireless File Transmitter WFT-E7A featuring wireless LAN support for 802.11 a/b/g/n signal protocols for various network environments. The WFT-E7A connects to the camera through its USB port and includes a built-in gigabit Ethernet connection, time syncing for multiple cameras on the same network, FTP mode, EOS Utility mode, WFT Server mode and Media Server mode. With this new WFT model, professionals can synchronize clocks on multiple cameras and use the unit to support linked shooting when utilizing multiple cameras. In addition, Bluetooth-compatible equipment can be easily linked to the device as well.

The EOS 5D Mark III also has an optional Canon GPS Receiver GP-E2, which can be connected to the camera via the accessory shoe or a USB cable. With a GPS logging function built-in, the GP-E2 will log latitude, longitude, elevation, and the Universal Time Code – and allow viewing of camera movement on a PC after shooting. With its built-in compass, the GP-E2 receiver will also record camera direction when shooting, even when shooting vertically. The Canon GPS Receiver GP-E2 is compatible with the EOS-1D X and EOS 7Di as well as the EOS 5D Mark III.ii

Battery Grip BG-E11 is an optional accessory for the EOS 5D Mark III that accepts one or two LP-E6 lithium-ion battery packs or a set of six AA-size batteries. This new grip has a multicontroller and a multifunction (M.Fn) button together a with a full set of grip controls for easy operation when shooting portraits or other vertical format photos. The BG-E11 is made from sturdy magnesium alloy and has the same degree of weather resistance as the EOS 5D Mark III.

Speedlite 600EX-RT

In addition to the EOS 5D Mark III, Canon is also announcing the first professional Speedlite on the market with a built-in wireless radio transmitter, the new Speedlite 600EX-RT. The new Canon Speedlite 600EX-RT is the flagship model in the Speedlite line, ideal for wedding portrait and photojournalism. Compatible with all EOS Digital SLRs, this new model eliminates the need for accessory radio slave units and their inherent limitations. Speedlite 600EX-RT features Master-Slave two-way transmission, letting the photographer control the Speedlite settings directly from the “Master” camera.

Radio-based Wireless E-TTL can be performed with up to 15 Speedlite 600EX-RT “slave units”, used off-camera up to 98.4 feet (30m) away, and triggered by either a “Master” 600EX-RT on-camera, or the optional new Speedlite Transmitter ST-E3-RT. Used with the EOS 5D Mark III or EOS-1D X, up to five groups of flashes can be completely controlled, independently, off-camera. And, it remains fully compatible with Canon’s legacy optical-based Wireless E-TTL technology, for users already committed to existing EOS Speedlites. The Speedlite features enhanced weather-resistant construction – matching that of the EOS-1D X camera body – and a more reliable electrical contact. The flash head zoom range now reaches from 20mm to 200mm.The Speedlite also allows remote shutter release of a single EOS camera, or Linked Shooting (simultaneous firing of up to 15 cameras, when one “Master” camera is fired), and includes gelatin filters and a dedicated filter holder to help photographers match ambient light.

Speedlite Transmitter ST-E3-RT

Canon is also introducing the new Speedlite Transmitter ST-E3-RT. Providing full support of Canon’s new radio-based wireless flash technology, the new ST-E3-RT can control up to five groups of flashes, up to 98.4 feet (30m) from the camera. The remote shutter release capability enables photographers to either fire a single camera remotely (by pressing a button on the ST-E3-RT), or to fire up to 15 EOS cameras with Canon’s Linked Shooting feature. Making it easy to control and adjust, all of the Speedlite Transmitter features are accessible through the Flash control menu of the EOS-1D X and EOS 5D Mark III cameras.

Pricing and Availability

The Canon EOS 5D Mark III Digital SLR camera is expected to be available at the end of March 2012 and will be sold in a body-only configuration at an estimated retail price of $3,499.00. The EOS 5D Mark III will also be available with the EF24-105mm f/4L IS USM zoom lens in a kit for an estimated retail price of $4,299.00. The Wireless File Transmitter WFT-E7A is scheduled to be available by the end of April 2012 at an estimated retail price of $849.99. Availability for GPS Receiver GP-E2 is expected by the end of April 2012, with an estimated retail price of $390.00.Battery Grip BG-E11 is scheduled to be available at the end of April 2012 for an estimated retail price of $490.00. The Speedlite 600EX-RT and Speedlite Transmitter ST-E3-RT are also scheduled for end of March 2012 availability at estimated retail prices of $629.99 and $470.00 respectively.

“The new additions to our PowerShot lineup further demonstrate Canon’s commitment to delivering users innovative imaging products,” said Yuichi Ishizuka executive vice president and general manager, Imaging Technologies & Communications Group, Canon U.S.A., Inc. “These sleek and compact cameras bring together powerful features, intuitive controls and unrivaled portability while maintaining high image quality.”

The Power of DIGIC 5

Living up to its reputation as a leader in the digital camera marketplace, Canon has incorporated the DIGIC 5 image processor into the HS SYSTEM for all three models. Achieving better quality images in low-light settings, boasting faster operation and providing improved color accuracy, the DIGIC 5 image processor ensures users are able to produce high-quality images in the most difficult of lighting conditions. The processor will also enable the PowerShot G1 X camera to utilize the High-Speed Burst HQ2 feature allowing photographers to shoot images at high speeds at full resolution to capture the perfect moving shot. Additionally, to ensure images are crisp and clear, advanced noise reduction and a smarter multi-area White Balance can be utilized to achieve accurate color reproduction for a balanced image

Advanced Smart AUTO

Advanced Smart AUTO, available in the PowerShot ELPH 520 HS and ELPH 110 HS, can detect up to 58 scenes varying from non-human moving subjects to people, landscapes, pets and vehicles, helping the camera determine the best mode of shooting. This technology has been enhanced to include a new Face ID feature, allowing users to register up to 12 people on the camera and have the camera recognize and prioritize each person. When registering individuals on the camera, users can take up to five images of a subject at various angles or facial expressions and enter their name and birth date. This allows the camera to make one of three age distinctions: Babies (0 to 1 year old), Children (2 to 12 years old) or Adults (13 years or older). Based on these different groups, the camera will give focus priority to the youngest recognized group in the frame and makes the images searchable as well with the ability to view only those images of a particular person.

Further additions to this new feature are Smile Recognition and Sleeping Face Recognition. With Smile Recognition, the camera will take three consecutive shots of a scene such as a smiling baby or of grandparents at a family get together and select the best out of the three for the final image. For Sleeping Face Recognition the flash, assist beam and sound is turned off for that precious moment to be captured while not disturbing one’s sleep.

PowerShot G1 X Digital Camera

Ideal for photography enthusiasts looking for the highest image quality in a compact, point-and-shoot design, the Canon PowerShot G1 X camera features the largest sensor to date for a Canon point-and-shoot model. The camera has a brand new, large 1.5-inch (18.7 x 14mm), 14.3-megapixel High-Sensitivity Canon CMOS sensor, delivering shallow depth of field, a wide dynamic range, an ISO range of up to 12800 and incredible light gathering ability helping to ensure brilliant images in even tough low-light conditions. Featuring an amazing Canon lens with 4X Optical Zoom, an aperture of f/2.8 to f/16 for beautiful images when shooting portraits and amazing clarity when shooting landscapes along with wide-angle capabilities starting at 28mm, the PowerShot G1 X camera makes certain that users will have the right optics for most any situation. Further adding to the EOS-like feature set of this new model is 14-bit, RAW+JPEG shooting and compatibility with accessories such as Speedlite, Macro Twin Lite or the Macro Ring Light flashes. HDR Shooting has been included to ensure the best possible shot is captured as well. The PowerShot G1 X camera also shoots in Full HD 1080p video ensuring memorable moments are captured in the highest quality.

The Canon PowerShot G1 X camera has a bright, large 3.0-inch vari-angle LCD with 922,000 dots of resolution providing photographers with the highest quality available in a point-and-shoot. The inclusion of the Mode Dial on the top of the camera and the Front Dial helps provide more intuitive control of the camera.

The estimated selling price of the Canon PowerShot G1 X camera is $799.99 and is scheduled to be available in February.

PowerShot ELPH 520 HS Digital Camera

The feature-packed Canon PowerShot ELPH 520 HS camera resurrects the original PowerShot ELPH design with a more contemporary and radiant look and feel. This new stylish model has a 10.1-megapixel High-Sensitivity CMOS sensor along with a 12X Optical Zoom lens, ISO range of up to 3200 and wide-angle capabilities starting at 28mm. For photographers on the move, this camera also has Full HD 1080p video capture capabilities, a 3.0-inch LCD for easy viewing of images and High-Speed Burst mode where images are continuously captured at 6.8 frames per second.

The Canon PowerShot ELPH 520 HS camera will be available in black, silver, red and blue in March with an estimated selling price of $299.99.

PowerShot ELPH 110 HS Digital Camera

Canon’s PowerShot ELPH 110 HS camera comes in a variety of fun, bright colors (black, silver, red, blue, green and pink) and is the ideal camera for new photographers. With a 5X Optical Zoom lens and wide-angle capabilities beginning at 24mm, this camera provides the user with the ability to fit an entire landscape or a specific area of a subject into one shot. The camera also features a16-megapixel High-Sensitivity CMOS Sensor, ISO range of up to 3200, 3.0-inch wide LCD and Full HD 1080p video capture for brilliant, high resolution quality. High-Speed Burst mode has also been included for continuous shooting up to 5.8 frames per second.

The Canon PowerShot ELPH 110 HS camera is scheduled to be available in February with an estimated selling price of $249.99.

“Imaging devices are a key component of the interactive social experience, therefore, they must connect,” said Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies and Communications Group, Canon U.S.A. “We are excited to include Wi-Fi connectivity and DLNA technology, among other new features, in our new VIXIA models that will allow consumers to easily share high-quality videos with friends and families.”

Canon has included a range of features and functions to help users capture stunning video to share including improved low-light image capture, a new Intelligent Image Stabilization (IS) system and the ability to capture MP4 video recordings. Canon has included dual codec recording, giving users the option to record in AVCHD, for the highest quality viewing on an HDTV, or in MP4 format, for easy sharing with mobile devices or social networks. The new 2012 VIXIA models feature a 20 percent improvement in low-light performance compared to previous models as a result of enhancements made to Canon’s HD CMOS Pro Image Sensor. The sensor boasts a minimum illumination rating of 1.2 lux, Canon’s lowest lux rating to date in a consumer HD camcorder.ii Another enhancement to select models in Canon’s 2012 VIXIA lineup is the ability to export content directly to an external hard-disc drive through an optional USB adapteriii for simple file sharing and archiving without the need of a computer.

Advanced Technologies and Features:

* Share and view videos via Wi-Fi: Select models of the VIXIA HF M- and R-series camcorders include the ability to share, view and store videos wirelessly, including the ability to upload videos directly to YouTube and Facebook:
o Share: When connected to a Wi-Fi network, videos can be uploaded directly to YouTube or Facebook. When on the go, use an iPhone or iPad and free Movie Uploader app to connect a VIXIA camcorder to a cellular network to enable video uploads.
o Watch and Store: Select 2012 VIXIA camcorders allow users to wirelessly transmit videos to a PC for storage, an iPhone, iPad, or iPod Touch through a free Movie Uploader app enabling quick storage on these mobile devices, or on-the-spot playback for friends and family. Users can also enjoy wirelessly viewing on a DLNA-compatible HDTV or through other DLNA-compatible devices such a game console.
* Audio Scene Select: The Canon VIXIA HF M-series is equipped with a new Audio Scene Select menu that streamlines the selection of custom audio selection. Users select the environment that is being captured – a musical performance, a speech, a forest – and the camcorder will automatically adjust settings, including microphone directionality, frequency response, wind screen, volume level and microphone attenuator. While users will still be given the option to make these adjustments manually, the new audio settings menu makes the optimization of the audio levels quick and easy for casual users.
* Export to External Hard Drive: Consumers are starting to use external storage devices more and more to supplement limited amounts of memory on laptops. Select models of Canon VIXIA camcorders allow a direct transfer of video content from the camcorder to an external storage device, a process which historically required a computer as a conduit. Data transfers from the VIXIA camcorder to an external hard drive are accomplished through an optional USB adapter.
* Intelligent IS System: Canon has enhanced its Image Stabilization (IS) system, which automatically detects the needs of the situation being captured. The new Intelligent IS system will change intuitively through one of four IS modes – Dynamic, Powered, Macro and Tripod – so that the user has fewer things to worry about while shooting video. When the record button is pressed and the subject is walking, the Intelligent IS system will employ Dynamic stabilization to help reduce camera shake automatically. However, if the subject is detected to be very close to the camcorder, Macro (or Hybrid) stabilization will activate to counter shift camera shake; if the subject is far from the camcorder at extreme telephoto distances, Powered IS will activate to help counter slow, large-scale camcorder shake.

Popular VIXIA Features:

The 2012 VIXIA lineup retains many popular features that make it easy to record outstanding HD video, such as Canon’s Smart AUTO mode that intelligently detects and analyzes brightness, color, distance and movement to automatically select the best of 38 available pre-set setting selections for the scene being recorded. Canon’s Touch & Track feature allows users to select any subject on the Touch Panel LCD screen with their finger, which the camcorder will then track to ensure sharp focus and proper exposure. The camcorders also include built-in Cinema-Look Filters that give the look of a variety of cinematic styles by compensating for the color, gamma and other aspects of the image’s quality. Select 2012 VIXIA models have Relay Recording for seamless uninterrupted video recording from one memory source to the next. When the primary recording media is full, the camcorder continues to record the scene by switching to the next memory source, so that users won’t miss a moment of action.

As an integrated part of Canon’s Intelligent IS, the Powered IS feature provides a higher level of compensation for subtle hand movement at the telephoto end of the zoom range. In addition, all VIXIA camcorders with built-in memory feature HD-to-SD Downconversion, which enables users to convert recorded high-definition video to standard-definition files while preserving the original HD footage. These down-converted files make it even more convenient to share video online or create a DVD. Each new model is also compatible with Eye-Fi SD Memory Cards, allowing for wireless uploading of video content to a computer, social networking site or video sharing website.

VIXIA HF M-series

The Canon VIXIA HF M52*, VIXIA HF M50* and VIXIA HF M500* Flash Memory camcorders offer consumers stunning HD video in an ultra-sleek, compact and lightweight body, now 15 percent smaller when compared to 2011 M-Series models. Recording Full HD 1920 x 1080 video, the VIXIA HF M-series features a Genuine Canon 10x HD Video Lens and Canon’s enhanced HD CMOS Pro Image Sensor for high video resolution, outstanding low-light performance and a wide dynamic range.

All three models include Canon’s newly designed Flat Touch Panel 3.0-inch LCD screen for a large display and an improved menu system and button layout, and now also record in MP4 file format to make content easier to share across mobile devices and online social networks. The VIXIA HF M52 and VIXIA HF M50 incorporate 32GB and 8GB of internal flash memory, respectively, and feature HD-to-SD Downconversion. They also include Wi-Fi connectivity, which enables the ability to upload videos wirelessly to YouTube and Facebook through use of an iPad or iPhone app. The models also include DLNA connectivity which enables wireless access to a DLNA-compatible device. The VIXIA HF M500 records directly to a SDXC-compatible card slot. The new VIXIA HF M-series is also compatible with the new Canon WP-V4 Waterproof Case, great for vacations, underwater videography, or any wet conditions. The VIXIA HF M52, VIXIA HF M50 and VIXIA HF M500 Flash Memory camcorders are scheduled to be available in March for an estimated retail price of $749.99, $649.99 and $549.99, respectively.

VIXIA HF R-series

The Canon VIXIA HF R32*, VIXIA HF R30* and VIXIA HF R300* Flash Memory camcorders offer the ideal combination of price and performance for the budget-conscious consumer who doesn’t want to sacrifice on features such as Full HD 1920 x 1080 video. All three models, which are 21 percent smaller when compared with the R-series models from 2011, include a Genuine Canon HD Video Lens with 51x Advanced Zoom, 3.28-megapixel Canon Full HD CMOS Image Sensor, a 3.0-inch full-flat Touch Panel LCD screen, Touch Decoration, Smart AUTO and Advanced Video Snapshot. New for the 2012 R-series lineup, all three models feature Canon’s Intelligent IS with Optical Image Stabilization allowing the camcorders to automatically switch between stabilization modes for optimal image quality while recording. All three models feature MP4 file format recording while both the VIXIA HF R32 and VIXIA HF R30 include Canon’s Relay Recording, HD-to-SD Downconversion and Wi-Fi uploading capabilities. The VIXIA HF R32 and VIXIA HF R30 models incorporate 32GB and 8GB of internal flash memory, respectively, and the VIXIA HF R300 records directly to a SDXC-compatible memory card slot. The VIXIA HF R32, VIXIA HF R30 and VIXIA HF R300 Flash Memory camcorders are expected to be available in March for an estimated retail price of $549.99, $449.99 and $349.99, respectively.

New Optional Camcorder Accessories

The new Canon WP-V4 Waterproof Case helps protect any of the 2012 VIXIA HF M-series camcorders in depths of water up to 130 feet, allowing users to capture exciting HD footage even underwater. This compact and lightweight housing seals the camcorder, allowing easy on-camera operation and control for all water sports activities such as scuba diving and whitewater rafting. The Canon WP-V4 Waterproof Case is expected to be available in March for an estimated retail price of $599.

The introduction of the EOS C300/C300 PL coincides with the launch of the Cinema EOS System, marking Canon’s full-fledged entry into the digital high-resolution production industry. The new professional digital cinematography system spans the lens, digital cinema camera and digital SLR camera product categories.

Star-Studded Supporting Cast

Equipped with an EF lens mount, the EOS C300 is supported by an all-star cast of high-performance EF lenses, not only the wide array of interchangeable EF lenses for EOS SLR cameras that have earned the trust and respect of photographers around the world, but also the EF cinema lenses in the newly announced Cinema EOS System. When outfitted with a Canon EF lens, the C300′s peripheral illumination correction automatically corrects for vignetting in accordance with each lens’s optical characteristics, and enables iris control from the camera. Canon EF lenses also enable the recording of such metadata as the name of the lens used, aperture setting and shutter speed.i

Show-Stopping High-Resolution Full-HD Performance

The Canon EOS C300/C300 PL’s newly developed Super 35 mm-equivalent CMOS sensor incorporates approximately 8.29 million effective pixels and has a pixel size that is larger than that for conventional professional camcorders, enabling greater light-gathering capabilities for enhanced sensitivity and reduced noise. The sensor reads Full HD (1920 x 1080 pixels) video signals for each of the three RGB primary colors, decreasing the incidence of moiré while realizing high resolution with 1,000 horizontal TV lines.

Supported by a heightened signal read-out speed, the CMOS sensor reduces rolling shutter skews, a phenomenon prevalent with CMOS sensors in which fast-moving subjects may appear diagonally distorted. Additionally, the powerful combination of the sensor with Canon’s high-performance DIGIC DV III image processor facilitates high-precision gamma processing and smooth gradation expression.

In addition to MPEG-2 Full HD (MPEG2 422@HL compliant) compression, the EOS C300/C300 PL employs 4:2:2 color sampling for high-resolution performance that minimizes the appearance of “jaggies” at chroma edges. Additionally, with a maximum recording rate of 50 Mbps, the camera supports the recording of high-quality video.

The camera’s video and audio recording file format adopts the industry-standard MXF (Material eXchange Format), an open source file format ideally suited for non-linear editing systems. Recording to versatile, readily available CF cards, the EOS C300/C300 PL realizes high cost-performance and, equipped with two CF card slots, makes possible the simultaneous recording of video data to two CF cards.

Ready for Action

With a compact body design measuring 5.2 (w) x 7.0 (h) x 6.7 (d) inches, the Canon EOS C300/C300 PL delivers exceptional maneuverability, enabling shooting from vantage points all but inaccessible to large cinema cameras, such as close to the ground for high-impact low-angle shots, and alongside walls. In accordance with on-location shooting needs, the camera can be outfitted with a handle, grip, thumb rest and monitor unit, and offers an array of industry-standard terminals, including HD/SD-SDI video output for the external recording of high-quality video content. When using a WFT-E6B wireless file transmitter for EOS digital SLR cameras (sold separately), the EOS C300/C300 PL can be controlled remotely by means of such common devices as smartphones or tablet PCs.

The camera is equipped with four start/stop buttons positioned at various locations to satisfy any preferred camera-holding style, and can be outfitted with a variety of third-party accessories, including matte boxes, follow focuses and external video and audio recorders. The unit also achieves seamless integration with third-party editing systems and provides added peace of mind through its dust-proof, drip-proof construction and built-in cooling system.

The new camera allows users to adjust image quality to match that of professional camcorders and EOS-series digital SLR cameras, and offers Canon Log Gamma, enabling flat image quality with subdued contrast and sharpness for maximum freedom in post-production editing and processing. In addition to frame rates of 59.41i, 50.00i, 29.97P, 25.00P and 23.98P, the EOS C300/C300 PL features a 24.00p mode, matching the 24 frame-per-second frame rate of film cameras for high compatibility with common film-production workflows.

Other features include fast-motion shooting, achieved by capturing fewer frames per second to create action up to 60x normal speed, and slow-motion down to 1/2.5xii made possible by capturing more frames per second. Frame rates between 1 and 60 frames per second (fps)iii can be adjusted in increments of 1 fps. Additionally, a selection of Custom Pictures lets users freely adjust image quality for greater control over how content looks.

Pricing and availability

The Canon EOS C300 (EF mount) digital cinema camera is scheduled to be available in late January 2012 for an estimated list price of $20,000. The Canon EOS C300 PL (PL mount) digital cinema camera is scheduled to be available in late March 2012 for an estimated list price of $20,000.

“With a strong reputation of imaging excellence, Canon incorporates acclaimed quality, design innovation and intuitive engineering into each product,” said Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies and Communications Group, Canon U.S.A. “With the inclusion of advanced features, such as the HS SYSTEM and HD video in these new PowerShot cameras, we continue to reach new levels of performance and design to satisfy our users.”

Key Features:

Small Cameras, Big Zoom

The impressive zoom with optical image stabilization found in all three new PowerShot models allows users to snap a memorable, highly detailed shot from a variety of distances. The PowerShot SX150 IS Digital camera is equipped with a 12x wide-angle optical zoom and 28mm lens. In the compact ELPH series, the PowerShot ELPH 510 HS is the thinnest camera to date, with a 12x optical zoom and 28mm wide-angle lens, while the PowerShot ELPH 310 HS has an 8x optical zoom with 28mm wide-angle lens.

Increase Camera Intelligence

Helping to capture blur-free images and video, Canon introduces the new Intelligent IS system in these PowerShot models. To deliver crisp, undistorted images in various shooting conditions, Intelligent IS automatically chooses from six different modes (Normal, Macro, Panning Dynamic, Powered and Tripod) to optimize image stabilization.

Many novice photographers are intimidated when adjusting camera settings. Canon eliminates this issue with its Smart AUTO feature, which analyzes faces, brightness, colors, distance and movement and selects the appropriate setting based on 32 predefined shooting scenes for stills and 21 scenes for video.

Shoot Better in Low Light

Low light photography is a challenge even for a seasoned photographer. To assist the user, the PowerShot ELPH 510 HS and ELPH 310 HS utilizes Canon’s HS SYSTEM that combines a 12.1-megapixel, high-sensitivity CMOS sensor and DIGIC 4 Image Processor to enhance image quality in low-light settings. The HS SYSTEM also reduces noise at high ISO speeds and expands the camera’s dynamic range to allow for greater detail and color when shooting in darker settings. The HS SYSTEM can also help compensate in situations where a flash can’t be used, such as a wedding or dance recital.

Never Miss the Action

Determining the right moment to “freeze” what you are shooting can be difficult in action scenes. The High-Speed Burst mode in the PowerShot ELPH models ensures that you never miss out on the fast-moving or unpredictable moments. With the simple hold of the shutter button, the High-Speed Burst mode shoots continuously, capturing up to 7.8 frames per second (fps) in the PowerShot ELPH 510 HS and 8.7 fps in the PowerShot ELPH 310 HS.

Elevate Video to High Definition

Today, the ability to switch between shooting still images and high-definition video is a key consideration when customers shop for a new camera. Providing stellar video-shooting capability in a compact frame, Canon has incorporated 1080p Full HD video recording into the PowerShot ELPH 510 HS and ELPH 310 HS, while the PowerShot SX150 IS camera features 720p HD video recording. Each camera can optically zoom while filming and has a dedicated movie button for quick access to the video-recording mode. The PowerShot ELPH 510 HS and ELPH310 HS cameras also include Movie Digest mode that shoots a four-second video before capturing a still image and then automatically combine a full day’s worth of videos into one clip. All three PowerShot cameras are also iFrame capable, allowing for quick and easy sharing and editing across multiple platforms and devices.

PowerShot Products:

The Canon PowerShot SX150 IS Digital camera

The PowerShot SX150 IS Digital camera is equipped with a 12x optical zoom with 28mm wide-angle lens, 720p HD video recording, Intelligent IS and Smart AUTO. The PowerShot SX150 IS Digital camera also features a 14.1-megapixel CCD sensor and Canon’s DIGIC 4 Image Processor. This new camera includes manual-shooting capabilities, such as aperture priority and shutter priority for optimal artistic control that any photography aficionado will appreciate. The PowerShot SX150 IS Digital camera includes a discreet-shooting mode to help ensure a low disturbance when capturing photos, and a 3-inch LCD screen for easy viewing and scrolling through menus. Available in black and red, the PowerShot SX150 IS Digital camera is scheduled to be available at the beginning of September for an estimated retail price of $249.99.

The Canon PowerShot ELPH 510 HS and ELPH 310 HS Digital cameras

The PowerShot ELPH 510 HS Digital camera features a 12.1-megapixel CMOS sensor with a 12x optical zoom and 28mm wide-angle lens, Canon’s HS SYSTEM and 1080p Full HD video recording. The ELPH 510 HS Digital camera also includes a High-Speed Burst mode, Intelligent IS and Smart AUTO. Available in red, black, and silver, this camera has a 3.2-inch wide, touch-panel LCD screen, offering fast and easy menu navigation. The ELPH 510 HS Digital camera also has Touch Shutter, simply touch the screen where you want to focus and release your finger to take a photo. The ELPH 510 HS Digital camera is scheduled to be available at the beginning of October for the estimated retail price of $349.99.

The PowerShot ELPH 310 HS Digital camera has a 12.1-megapixel CMOS sensor with an 8x optical zoom and 28mm wide-angle lens, Canon’s HS SYSTEM and 1080p Full HD video recording. The ELPH 310 HS Digital camera features a High-Speed Burst mode, Intelligent IS and improved Smart AUTO. The ELPH 310 HS Digital camera includes a 3-inch LCD screen and comes in five vibrant colors: purple, blue, pink, green and silver. The ELPH 310 HS Digital camera is scheduled to be available at the beginning of October for an estimated retail price of $259.99.

The Canon HF-DC2 High-Power Flash

To further enhance the built-in flash of the PowerShot lineup, Canon has developed the HF-DC2 High-Power Flash , which increases the effective flash range up to approximately 30 feet and supports 24mm wide-angle shooting with the wide-panel attachment. The HF-DC2 automatically fires in-sync with the camera’s built-in flash and operates wirelessly to capture subjects at twice the range of the camera’s built-in flash. The HF-DC2 includes a mounting bracket that attaches to the camera, but it can also be hand-held or mounted on a tripod. The HF-DC2 High-Power Flash is scheduled to be available in December for an estimated retail price of $149.99.

A3300 IS

When capturing irreplaceable moments, it is important to use a camera that inspires artistic expression in a simplistic format. Instituting new, creative options with user-friendly functionalities, Canon U.S.A. Inc., a leader in digital imaging, today announced the expansion of the popular PowerShot A-series with four new compact models, the PowerShot A3300 IS, A2200, A1200 and A800 Digital cameras, that allow you to easily capture the moment with creative style. For the first time, three of the PowerShot A-series cameras will have 720p HD video, advanced Smart AUTO including Subject Detection, and Creative Filters including Toy Camera and Monochrome mode, providing an increase in overall convenience and efficiency.

“With a strong dedication to outstanding image output and digital innovation, Canon believes quality is not a commodity, but a requirement when capturing cherished moments,” said Yuichi Ishizuka, executive vice president and general manager, Consumer Imaging Group, Canon U.S.A. “With the inclusion of new Smart AUTO features and HD video capabilities in these budget-friendly PowerShot A-series models, images can be easily personalized and enhance consumers’ photographic memories.”

Beautiful images made simple

A2200

Whether at a concert or taking a bike ride with the family, the Canon PowerShot A3300 IS, A2200 and A1200 cameras now have 32 predefined shooting situations in its advanced Smart AUTO feature, with the new addition of Subject Detection, where a specific object is the main focal point of the image.

Live View Control is another useful facet in these three new models, providing beginners with user-friendly terms for altering features within the camera. Brightness, vividness and color tone, can be quickly adjusted, making it easier for entry-level users to adjust the look and feel of an image.

Ensuring a low-disturbance when capturing photos of a sleeping baby or a wedding ceremony, the PowerShot A3300 IS, A2200 and A1200 models come equipped with a new Discreet Mode. With the press of a button, the camera’s auto-focus assist beam, sound and flash are turned off, making it easier to capture a photo without unnecessary sound or distractions.

For consumers who are transitioning from film to digital, another great feature is the Optical View Finder found in the PowerShot A1200 model. The Optical View Finder offers an easy way to frame shots on a sunny day and is a good option to conserve battery power. Another technology to compensate for potential camera shake, the PowerShot A2200, A1200, A800 cameras feature Blur Reduction, helping to reduce image distortion and to ensure crisp photos.

Express imagination with Creative Filter

A1200

Offering users a convenient way to access cool scene modes, the PowerShot A3300 IS, A2200 and A1200 Digital cameras possess Canon’s Creative Filter option. Two new shooting scenes, Toy Camera and Monochrome, join Super Vivid, Fish-eye, Poster Effect and Miniature Effect to make up the suite of Creative Filters offered on the new A-series models. Toy Camera Effect adds a grainy, blurred look to soften photos, illustrating an old-school, 1960′s appearance and Monochrome mode attaches black-and-white, blue or sepia tones to images, displaying a more classic, antiqued appearance.

Canon PowerShot A3300 IS and A2200 Digital Cameras:

Both the PowerShot A3300 IS and A2200 come equipped with 720p HD video. The Canon PowerShot A3300 IS is available in five vibrant colors – grey, red, blue, silver and pink and features a 16.0-Megapixel CCD sensor along with a 5x Optical Zoom with Optical Image Stabilizer, a wide angle 28-140mm equivalent lens and 3.0-inch LCD screen. The PowerShot A2200 Digital camera has a 14.1-Megapixel CCD sensor, 4x Optical Zoom, a wide angle 28-112mm equivalent lens along with a 2.7-inch LCD screen and comes in black, blue, silver and red.

The PowerShot A3300 IS is scheduled to be available in late February for an estimated selling price of $179.99. The PowerShot A2200 is scheduled to be available in early March for an estimated selling price of $139.99.

Canon PowerShot A1200 and A800 Digital Cameras:

A800

The Canon PowerShot A1200 Digital camera features 720p HD video and an Optical View Finder. The PowerShot A1200 Digital camera also includes Canon’s basic and easy-to-use mode dial, a 12.1-Megapixel CCD sensor, 4x Optical Zoom, a wide angle 28-112mm equivalent lens and a 2.7-inch LCD screen, AA battery-powered and is available in both black and silver. For the value-conscious consumer, the PowerShot A800 will offer a 10-Megapixel CCD sensor in addition to 19 Smart AUTO scene modes, a 3.3x Optical Zoom with a 37-112mm equivalent lens, a 2.5-inch LCD screen and AA battery-powered.

The PowerShot A1200 is scheduled to be available in early March and will have an estimated selling price of $109.99. The PowerShot A800 is scheduled to be available in mid-February for an estimated selling price of $89.99.

“We are committed to addressing the needs of the professional market with diverse and tailored product offerings best suited to their specific needs or production environment. We are making a statement that Canon will have the professional HD video solution for your needs, whether you are shooting in a studio, on the street, on set, or out in the wilderness. The new, compact XA10 camcorder is yet another tool for professionals who are shooting HD video on-the-fly,” said Yuichi Ishizuka, executive vice president and general manager, Consumer Imaging Group, Canon U.S.A.

The Canon XA10 Professional Camcorder features a Genuine Canon 10x HD Zoom lens, Canon DIGIC DV III Image Processor and a Canon 1/3-inch native 1920 x 1080 CMOS image sensor which delivers outstanding resolution and quality. The Genuine Canon 10x HD Zoom lens on the XA10 camcorder boasts a 35mm equivalent zoom range of 30.4mm – 304mm with an eight-blade iris capable of rendering natural, smooth background blur with reduced lens diffraction. The lens also features Canon’s SuperRange Optical Image Stabilizer (OIS) system with standard, Dynamic and Powered IS modes for steady video in most any shooting situation. Autofocus speeds can be selected from Instant, Medium and Normal to match the shooter’s preference. A focus ring on the lens allows for manual focus as well. The ability to focus manually combined with other manual features such as shutter speed, aperture control, and gain settings provide users with complete creative control.

For extreme low-light shooting, the Canon XA10 Professional Camcorder includes an infrared feature to help enable the capture of HD video in conditions with little to zero ambient light. The camcorder also includes an infrared emitter with a diffuser as well as a Green or White color option to shoot pleasing high-definition infrared imagery even in complete darkness.

The Canon XA10 Professional Camcorder features dual XLR inputs for external audio sources as well as a built-in stereo microphone. The new camcorder supports Dolby Digital 2ch (AC-3 2ch) with automatic and manual audio level adjustment.

As with other Canon professional camcorders, the XA10 provides users with complete manual control of various functions including frame rates, zooming speed, focus, white balance and gain control. Various frame rates can be selected to match the user’s preference – 60i, PF30, PF24 and native 24p. Through internal menus, users can adjust zoom speed settings for High, Middle and Low in 16 one-step increments for both the body lever as well as the handle control. The focus ring on the lens can be customized for manual focus control and users can set the direction of rotation, as well as three levels of response control. In addition to the focus ring, auto focus speed can be adjusted for smooth auto focus transitions, as well as a Face-Only AF mode allowing for a blurred image as a person walks off-screen. The camcorder’s white balance is adjustable from 2000K to 15,000K in 100K increments.

The XA10 camcorder also features a waveform monitor for accurate exposure and detailed analysis of image brightness. The XA10 incorporates this high-end feature into the camera body itself, maintaining its compact size and cost effectiveness while providing professionals with the features they need.

Checking critical focus with the XA10 is extremely easy. In addition to the high-resolution LCD screen, the XA10 features both peaking and magnify focus assists. The camcorder also features Canon’s Edge Monitor Focus Assist system that is quickly becoming the standard on Canon professional camcorders. Through this dynamic focus feedback the user can intuitively tune focus in a scene and quickly change the zone of focus.

For in-camera cinematic effects, the XA10 provides nine different customizable cinema filters. The amount of filter effect can be adjusted in three levels (Low, Medium, and High) Additionally the Standard Cinema Filter function is further customizable through Color Depth, Contrast, Soft Filter, and Key adjustments.

The camcorder’s overall design is intended for comfortable operation whether gripped in your palm, or by the handle for low-angle shooting. Compact and lightweight the entire camcorder weighs only 1.7 lbs. and measures only 3.7 x 8.1 x 7.0 inches including the lens hood and handle. The 3.5-inch High Resolution -922,000-dot – Touch Panel LCD screen provides a large, vibrant display and can be flipped for solo shooting with the LCD screen facing the subject. The camcorder also includes an electronic viewfinder for more for use in bright conditions and where it would be difficult to use the LCD panel.

Embedded in the detachable handle are the camcorder’s XLR terminal inputs, audio switches, infrared light, tally lamp, removable microphone holder, zoom and record switches and a “cold” shoe. For easy connection to both Canon and third party wired remote controllers, the XA10 has a built-in remote control terminal (compatible with LANC protocol). A custom key and dial allow for more convenient, one-touch access to various functions such as focus or exposure and are set through the camcorder’s menu system.

The Canon XA10 Professional camcorder is scheduled to be available in March for an estimated retail price of $1,999.99.

The XA10 is compatible with Canon’s new WM-V1 Wireless Microphone for seamless audio recording from up to 164 feet away. The WM-V1 also features a function for two way communication between the transmitter and receiver, allowing the camera operator and talent to communicate even if beyond earshot or in noisy ambient conditions. The WM-V1 will be available in May for an estimated retail price of $250.00.

HF G10

Canon U.S.A., Inc, a leader in digital imaging, today announced an exciting new line of eight VIXIA High Definition flash memory camcorders. The 2011 high-definition lineup includes Canon’s new flagship model the VIXIA HF G10, the high-end VIXIA HF S30, three compact VIXIA HF M-series models and three entry-level VIXIA HF R-series models. Constantly pushing digital imaging forward, Canon has improved upon its Full HD CMOS image sensor, with the introduction of the new HD CMOS Pro Image Sensor, available in the VIXIA HF G10 and VIXIA HF M-series camcorders. This new sensor incorporates larger, more sensitive pixels resulting in high video resolution, outstanding low-light performance and an expanded dynamic range [www.usa.canon.com/HDCMOSPro]. Other new features enhancing Canon’s 2011 VIXIA lineup include dual SDXC-compatible memory card slots for maximum storage capacity, Cinema-Look Filters that add various cinematic effects, and new Story Creator and Touch Decoration features for an easy and fun way to shoot great video and add creative flair.

“Canon’s tradition of delivering best-in-class image quality and performance is continued with the introduction of the new HD CMOS Pro Image Sensor. Our enhanced sensor technology helps deliver better overall image quality with stunning resolution and low-light performance for HD video,” said Yuichi Ishizuka, executive vice president and general manager, Consumer Imaging Group, Canon U.S.A.

All of the 2011 VIXIA High Definition camcorders retain Canon’s proprietary imaging technologies – a Genuine Canon HD Video Lens, Canon DIGIC DV III Image Processor, and Canon Full HD CMOS Image Sensor. Additional advanced features include:
New Advanced Technologies and Features:

• Canon HD CMOS Pro Image Sensor: A new 1/3-inch native 1920 x 1080 sensor which delivers professional-level HD video performance. Unlike image sensors found in other consumer camcorders, Canon HD CMOS Pro uses fewer pixels, which are significantly larger (61 percent) and more sensitive, resulting in high video resolution, outstanding low-light performance, and expanded dynamic rangei:
• Video resolution of 900 horizontal and 800 vertical TV lines, for Full HD video with professional precision
• A 25 percent improvement in low-light sensitivity with a minimum illumination rating of 1.5 Lux, Canon’s lowest Lux rating to date in a consumer HD camcorderii
• A 280 percent improvement in dynamic range for exceptional reproduction of both highlights and shadowsiii
• Dual SDXC-compatible Card Slots: Each new model in Canon’s 2011 VIXIA lineup includes two card slots which ensure that users always have multiple sources of memory and allow for super-high capacity storage that expands as the capacity of SDXC memory cards increases.
• High-Quality Microphone: Canon has enhanced the internal microphones on its 2011 VIXIA models to give users the high-quality sound to match their HD video. With four directional options, users can set internal microphones to Monaural, Normal (Stereo), Wide, and new Synced with Zooming mode. When in Synced with Zooming mode, the microphone will adjust directionality to coincide with the lens’s focal length position to properly match the audio with the portion of the scene being captured. Users can also adjust frequency response characteristics to dampen the effect of unwanted noise.
• Tele Macro: Reduces the minimum focusing distance at the telephoto end of the zoom range to 1.3 feet (from 3 feet) allowing users to capture spectacular close-ups at full telephoto with the appearance of a shallow depth of field for stunning imagery. This is one of 38 scenes available in Canon’s Smart Auto mode.
• Cinema-Look Filters: Nine different built-in cinema filters – Cinema Standard, Cool, Dramatic B&W, Dream, Memory, Nostalgic, Old Movie, Sepia, Vivid – allow users to create video with a variety of professional cinematic looks.
• Story Creator: Canon’s new Story Creator assists you in the process of storyboarding an organized and sophisticated video shoot. Choose one of five themes – Travel, Kids & Pets, Party, Ceremony, and Blog – and the camcorder provides a list of suggested scenes to shoot to help walk users through the process of creating a complete video storyline.
• Touch Decoration: While shooting, Touch Decoration allows users to add creative flairs to video via the Touch Panel LCD screen. Users can superimpose fun images into their video, such as animations (i.e. shooting stars or thought bubbles), freehand drawing or writing, clip art, or decorative frames.

Popular VIXIA Features:

The 2011 VIXIA line-up retains many popular features that make it easy to record outstanding HD video, such as Canon’s Smart Auto mode which intelligently detects and analyzes brightness, color, distance and movement and automatically selects the best setting for the scene being recorded. Canon’s Touch & Track feature allows users to select any subject on the Touch Panel LCD screen with their finger, the camcorder will then track the subject ensuring sharp focus and proper exposure. All 2011 VIXIA models have Relay Recording for seamless uninterrupted video recording from one memory source to the next. When the primary recording media is full the camcorder continues to record the scene by switching to the next memory source, so that users won’t miss a moment of action. Canon’s Powered IS provides a higher level of compensation for subtle hand movement at the telephoto end of the zoom range. In addition, all VIXIA camcorders with built-in memory feature HD-to-SD Downconversion which enables users to convert recorded high-definition video to standard-definition files while preserving the original HD footage. These down-converted files make it even more convenient to share video online or create a DVD. Each new model is also compatible with Eye-Fi SD Memory Cards, allowing for wireless uploading of video content to a computer, social networking site or video sharing website.

VIXIA HF G10:

Packing in every feature a video enthusiast could ask for, the VIXIA HF G10 Flash Memory camcorder is Canon’s new flagship consumer camcorder providing the ultimate in HD video performance and quality. Recording Full HD 1920 x 1080 video, this camcorder features a Genuine Canon 10x HD Video Lens (35mm equivalent of 30.4mm-304mm) with an 8-blade iris providing smooth background blur and reduced lens diffraction. The lens also includes a dedicated manual-focus ring for enhanced control. The VIXIA HF G10 features the new HD CMOS Pro Image Sensor for high video resolution, outstanding low-light performance and an expanded dynamic range. It also features a 3.5-inch High Resolution (922,000-dot) Touch Panel LCD screen for a large, bright display and easy menu navigation. A Custom Key and Dial can also be used to assign commonly used functions for quick and easy access. As the flagship model in the lineup the camcorder includes, selectable zooming speed, Face-Only AF, Canon’s new customizable Cinema-Look Filters and Tele-Macro as well as Touch & Track technology, Smart Auto, Relay Recording, Powered IS, and HD-to-SD Downconversion. The VIXIA HF G10 comes with 32GB of internal flash memory and dual SDXC-compatible card slots which allow for simultaneous card recording enabling users to create immediate back-up.

For more advanced videographers, the VIXIA HF G10 includes manual color temperature adjustment (2,000K-15,000K in 100K increments), color bars with test tone, manual shutter speed and aperture control, a built-in Remote Control Terminal (which supports LANC protocol), and Native 24p recording. For shooting on a sunny day, the camcorder also includes a color viewfinder which offers a reliable viewing environment when shooting in bright conditions. The VIXIA HF G10 Flash Memory camcorder is scheduled to be available in March with an estimated retail price of $1,499.99.

VIXIA HF S30:

The Canon VIXIA HF S30 Flash Memory camcorder continues the appeal of Canon VIXIA HF S-series camcorders with professional and easy-to-use features to allow anyone to capture outstanding HD video quality and high resolution photos in one device. The camcorder captures Full HD 1920 x 1080 video and features a Genuine Canon 10x HD Video Lens and a Canon 1/2.6-inch, 8.59-megapixel Full HD CMOS Image Sensor for stunning video and outstanding eight megapixel photos. Equipped with 32GB of internal memory and two SDXC-compatible card slots, the camcorder features Canon’s 3.5-inch High Resolution (922,000-dot) Touch Panel LCD screen and a color viewfinder. The VIXIA HF S30 offers Canon’s Touch & Track technology, Smart Auto, Relay Recording, Powered IS, HD-to-SD Downconversion, and Advanced Video Snapshot. Users can also to assign commonly used functions to the Custom Key and Dial for quick and easy access.

The VIXIA HF S30 includes a host of professional features such as color bars and selectable Zebra patterns, a built-in Remote Control Terminal (which supports LANC protocol), and Native 24p recording. The VIXIA HF S30 Flash Memory camcorder is scheduled to be available in March for an estimated retail price of $1,099.99.

VIXIA HF M-series:

The Canon VIXIA HF M41, VIXIA HF M40 and VIXIA HF M400 Flash Memory camcorders offer consumers stunning HD video in an ultra-sleek, compact and lightweight body. Recording Full HD 1920 x 1080 video, the new VIXIA HF M-series feature a Genuine Canon 10x HD Video Lens and Canon’s new HD CMOS Pro Image Sensor for high video resolution, outstanding low-light performance and a wide dynamic range. All three models include Canon’s 3.0-inch Touch Panel LCD screen for a large display and easy menu navigation. The VIXIA HF M-series include Canon’s new Cinema-Look Filters, Story Creator and Touch Decoration, as well as Touch & Track technology, Smart Auto, Powered IS, Tele Macro, and Advanced Video Snapshot. The VIXIA HF M41 and VIXIA HF M40 incorporate 32GB and 16GB of internal flash memory, respectively, and feature HD-to-SD Downconversion. The VIXIA HF M400 records directly to dual SDXC-compatible card slots. The VIXA HF M41 features a color viewfinder which helps provide a reliable viewing option, free from glare, when shooting in bright conditions. The new VIXIA HF M-series is also compatible with the new Canon WP-V3 Waterproof Case. The VIXIA HF M41, VIXIA HF M40 and VIXIA HF M400 Flash Memory camcorders are scheduled to be available in March for an estimated retail price of $799.99, $699.99 and $649.99 respectively.

VIXIA HF R-series

The Canon VIXIA HF R21, VIXIA HF R20 and VIXIA HF R200 Flash Memory camcorders offer the ideal combination of price and performance for the budget-conscious consumer who wants Full HD 1920 x 1080 video. All three models include a Genuine Canon HD Video Lens with 28x Advanced Zoom, 3.28-megapixel Canon Full HD CMOS Image Sensor, a 3.0-inch Touch Panel LCD screen, Touch Decoration, Dynamic IS, Smart Auto and Advanced Video Snapshot. All three models feature Relay Recording while both the VIXIA HF R21 and VIXIA HF R20 include Canon’s HD-to-SD Downconversion. Additionally the VIXIA HF R20 will be available in three stylish colors, black, red, and silver. The VIXIA HF R21 and VIXIA HF R20 models incorporate 32GB and 8GB of internal flash memory, respectively, and the VIXIA HF R200 records directly to dual SDXC-compatible memory card slots. The VIXIA HF R21, VIXIA HF R20 and VIXIA HF R200 Flash Memory camcorders will be available in February for an estimated retail price of $499.99, $399.99 and $379.99 respectively.

FS series:

In addition to the new VIXIA High Definition lineup, Canon is also introducing two standard-definition models, the FS40, and FS400 Flash Memory camcorders. The Canon FS40 model records to 8GB of internal flash memory, while the FS400 records video directly to an SDXC-compatible memory card slot. Compact and lightweight (approximately 7.8 oz.), both new FS models offer 41x Advanced Zoom to help capture great video even at extreme telephoto distances, as well as Dynamic IS. In addition, the Canon FS400 will be available in three eye-catching colors, silver, red, and blue. The Canon FS40 and FS400 Flash Memory camcorders are available in February for an estimated retail price of $299.99 and $279.99 respectively.

New Optional Camcorder Accessories

The new Canon WP-V3 Waterproof Case helps protect any of the 2011 VIXIA HF M-series Flash Memory camcorders in depths of water up to 130 feet, allowing users to capture exciting HD footage even underwater. The ultimate camcorder accessory for diving and snorkeling enthusiasts, this compact and lightweight housing seals the camcorder, allowing easy on-camera operation and control. The Canon WP-V3 Waterproof Case will be available in February for an estimated retail price of $599.00.

Also new from Canon is the WM-V1 Wireless Microphone for recording accurate audio without cumbersome wires from up to 164 feet away, ideal for ceremonies, family events and recitals. This new WM-V1 Wireless Microphone is compatible with the new 2011 VIXIA HF G10, VIXIA HF M-series, and VIXIA HF R-series camcorders and will be available in May for an estimated retail price of $250.00.

With its unique focal length range, the EF 8-15mm f/4L USM is the world’s widest fisheye zoom lens. It delivers 180? diagonal angle of view images for all EOS SLR cameras with imaging formats ranging from full-frame to APS-C, and provides 180? circular fisheye images for full-frame EOS models. Professional photographers and cinematographers will revel in the unique perspectives afforded to them through this lens, particularly when coupled with the highly popular full-frame EOS 5D Mark II DSLR camera. Canon’s new Fisheye zoom lens features both UD and aspherical lens elements to enhance image quality and is equipped with rubber gaskets and seals to enhance weather resistance. Canon’s proprietary SWC (Sub Wavelength Structure Coating) is used to minimize flare and a new fluorine anti-smear coating is applied to the front and rear elements to make lens cleaning easier than ever.

The Canon EF 8-15mm f/4L Fisheye USM lens is expected to be available in March 2011 for an approximate retail price of $1,400.

Canon EF 300mm f/2.8L IS II USM lens

The Canon EF 300mm f/2.8L IS II USM is the 6th generation of a venerable family of Canon 300mm f/2.8 lenses that began in 1974, and have become famous for their exceptional sharpness, contrast and color fidelity. Ideal for a wide range of applications ranging from professional photojournalism and sports photography to nature and wildlife, Canon’s 300mm f/2.8 lenses have always led the industry with new technical advances in every generation. The EF 300mm f/2.8L IS II USM lens carries on this tradition with improved image quality, lighter weight, improved Image Stabilization and enhanced durability making it a great option for handheld work in the field. The optical formula of the new lens has been upgraded with the inclusion of two fluorite lens elements for improved image quality and reduced chromatic aberration. Helping to reduce arm fatigue, Canon has reduced the overall weight of the lens by 8 percent to 82.9 oz., making it the lightest weight lens in the Canon EF 300mm f/2.8 series. The Image Stabilizer provides an equivalent of approximately four full shutter speed steps of shake compensation and has been enhanced through the incorporation of a rolling-ball-friction system in place of sliding parts in the compensation optics barrel for a minimum-friction structure. The overall durability of the lens has also been enhanced through increased usage of magnesium alloy and titanium for lens barrel components, together with weather sealing for all exterior joints and switches and a new fluorine anti-smear coating applied to the front and rear elements.

The Canon EF 300mm f/2.8L IS USM lens is expected to be available in March 2011 for an approximate retail price of $7,000.

Canon EF 400mm f/2.8L IS II USM lens

Quintessential for many sports assignments including baseball, football, soccer and golf, Canon’s professional 400mm f/2.8 lenses provide the light gathering capability and long telephoto reach that photographers need to freeze the action and fill the frame . The Canon EF 400mm f/2.8L IS II USM is the 5th generation in Canon’s 400mm f/2.8 series and the successor to the current EF 400mm introduced in 1999. The new lens has been engineered for the ultimate in optical performance through the use of two fluorite lens elements for improved quality and reduced chromatic aberration. Helping photographers in the field, Canon has reduced the overall weight of the lens by a substantial 28 percent from 189.4 oz to 135.8 oz, making it Canon’s lightest weight 400mm f/2.8 lens ever. The Image Stabilizer provides an equivalent of approximately four full shutter speed steps of shake compensation and has been enhanced through the incorporation of a rolling-ball-friction system in place of sliding parts in the compensation optics barrel for a minimum-friction structure. The overall durability of the lens has also been enhanced through increased usage of magnesium alloy and titanium for lens barrel components, together with weather sealing for all exterior joints and switches and a new fluorine anti-smear coating is applied to the front and rear elements.

The Canon EF 400mm f/2.8L IS USM lens is expected to be available in March 2011 for an approximate retail price of $11,000.

Core Facts:

* Canon today unveiled a new flagship model in its high-performance XEED projector range.  The WUX4000 is Canon’s first XEED projector to feature lens options and motorised lens shift.
* Combining exceptional image quality and high performance with easy maintenance, the WUX4000 is the ideal solution for corporate environments, higher education establishments and design applications, positioning Canon right at the cutting edge of the professional AV market.

XEED image quality

* The XEED WUX4000 takes advantage of Canon’s well-established LCOS panel technology, delivering faithful colours and lattice-free images at native WUXGA resolution (1920 x 1200 pixels).
* With a brightness of 4000 lumens and 1000:1 contrast ratio, the Canon WUX4000 excels with photographic images, where its vivid colours clearly outperform many other WUXGA installation projectors.
* The WUX4000’s native WUXGA resolution has a 16:10 screen aspect ratio, making it ideal for use with today’s generation of PC and Macintosh notebook computers.

Supporting a wide range of installation environments

* The WUX4000 is Canon’s most flexible projector to date, designed to meet the needs of the widest possible range of installation environments.
* The WUX4000 is complemented by a range of three optional lenses: a standard zoom lens (RS-IL01ST), a long zoom lens (RS-IL02LZ) and a fixed-focus wide angle lens (RS-IL03WF)
* Crucially for installers, the WUX4000’s motorised horizontal and vertical lens shift allows the projected image to be repositioned without the reduction in image quality caused by the use of keystone correction.

Easy to maintain with low running costs

* The WUX4000 is optimised for easy maintenance, with a modular design that allows the lamp and air filter to be replaced with the unit in situ.
* Quiet Mode, which lowers operating noise to just 36dBA, also extends the lifespan of the lamp from 3000 hours up to a maximum of 4000 hours.

Easy to integrate and connect

* The WUX4000 supports PJLink, a standard protocol designed to simplify the installation of projectors and control systems from different manufacturers. This makes it easy to integrate Canon’s WUX4000 into mixed environments, or to upgrade from existing systems that are already in place.
* The WUX4000 can also be connected directly to a network for control and monitoring and is supplied with a remote handset that can be programmed to operate on any of four different infra-red channels.

XEED WUX4000 key features

* Native WUXGA resolution (1920 x 1200 pixels) and Full HD capability (1080p)
* LCOS technology for seamless images
* 4000 lumens and 1000:1 contrast ratio
* Motorised vertical and horizontal lens shift, zoom and focus
* Three lens options
* DVI port and HDMI™ Connector for digital image input
* Network port for control and monitoring, PJLink compatible

The Canon XEED WUX4000 will be available across Europe from April 2011.